《出生证明》电影HD中字免费高清在线观看 - 电影 - 电影网站，电影在线播放，在线观看电影，免费观看电影，最新电影，高清电影，电影资源下载，电影推荐，在线电影平台，2024年热门电影推荐，免费高清电影网站，国内电影免费在线观看，欧美电影在线免费播放，动作片在线播放，科幻电影推荐，免费在线观看最新电影2025，儿童电影在线免费播放，电影网站排名，最好看的电影网站，

报错刷新上一集下一集

简介

出生证明 HD中字3.0
3.0
网友评分
很差
较差
还行
推荐
力荐
984次评分
给影片打分《出生证明》
很差
较差
还行
推荐
力荐
我也要给影片打分

HD/1961/其它/战争/

271
微信扫一扫
复制下方链接，去粘贴给好友吧-出生证明-HD中字复制链接

影片信息

出生证明
片名：出生证明
状态：HD
主演：Andrzej Banaszewski/Beata Barszczewska/马里乌什·德莫霍夫斯基/
导演：斯坦尼斯拉夫·罗泽维格/
年份：1961
地区：其它
类型：战争/
时长：内详
上映：未知
语言：其它
更新：2025-09-26 18:30
简介：　　In 1961, Stanislaw Rozewicz created the novella film "Birth Certificate" in cooperation with his brother, Taduesz Rozewicz as screenwriter. Such brother tandems are rare in the history of film but aside from family ties, Stanislaw (born in 1924) and Taduesz (born in 1921) were mutually bound by their love for the cinema. They were born and grew up in Radomsk, a small town which had "its madmen and its saints" and most importanly, the "Kinema" cinema, as Stanislaw recalls: for him cinema is "heaven, the whole world, enchantment". Tadeusz says he considers cinema both a charming market stall and a mysterious temple. "All this savage land has always attracted and fascinated me," he says. "I am devoured by cinema and I devour cinema; I'm a cinema eater." But Taduesz Rozewicz, an eminent writer, admits this unique form of cooperation was a problem to him: "It is the presence of the other person not only in the process of writing, but at its very core, which is inserperable for me from absolute solitude." Some scenes the brothers wrote together; others were created by the writer himself, following discussions with the director. But from the perspective of time, it is "Birth Certificate", rather than "Echo" or "The Wicked Gate", that Taduesz describes as his most intimate film. This is understandable. The tradgey from September 1939 in Poland was for the Rozewicz brothers their personal "birth certificate". When working on the film, the director said "This time it is all about shaking off, getting rid of the psychological burden which the war was for all of us. ... Cooperation with my brother was in this case easier, as we share many war memories. We wanted to show to adult viewers a picture of war as seen by a child. ... In reality, it is the adults who created the real world of massacres. Children beheld the horrors coming back to life, exhumed from underneath the ground, overwhelming the earth."　　The principle of composition of "Birth Certificate" is not obvious. When watching a novella film, we tend to think in terms of traditional theatre. We expect that a miniature story will finish with a sharp point; the three film novellas in Rozewicz's work lack this feature. We do not know what will be happen to the boy making his alone through the forest towards the end of "On the Road". We do not know whether in "Letter from the Camp", the help offered by the small heroes to a Soviet prisoner will rescue him from the unknown fate of his compatriots. The fate of the Jewish girl from "Drop of Blood" is also unclear. Will she keep her new impersonation as "Marysia Malinowska"? Or will the Nazis make her into a representative of the "Nordic race"? Those questions were asked by the director for a reason. He preceived war as chaos and perdition, and not as linear history that could be reflected in a plot. Although "Birth Certificate" is saturated with moral content, it does not aim to be a morality play. But with the immense pressure of reality, no varient of fate should be excluded. This approached can be compared wth Krzysztof Kieslowski's "Blind Chance" 25 years later, which pictured dramatic choices of a different era.　　The film novella "On the Road" has a very sparing plot, but it drew special attention of the reviewers. The ominating overtone of the war films created by the Polish Film School at that time should be kept in mind. Mainly owing to Wajda, those films dealt with romantic heritage. They were permeated with pathos, bitterness, and irony. Rozewicz is an extraordinary artist. When narrating a story about a boy lost in a war zone, carrying some documents from the regiment office as if they were a treasure, the narrator in "On the Road" discovers rough prose where one should find poetry. And suddenly, the irrational touches this rather tame world. The boy, who until that moment resembled a Polish version of the Good Soldier Schweik, sets off, like Don Quixote, for his first and last battle. A critic described it as "an absurd gesture and someone else could surely use it to criticise the Polish style of dying. ... But the Rozewicz brothers do no accuse: they only compose an elegy for the picturesque peasant-soldier, probably the most important veteran of the Polish war of 1939-1945." "Birth Certificate" is not a lofty statement about national imponderabilia. The film reveals a plebeian perspective which Aleksander Jackieqicz once contrasted with those "lyrical lamentations" inherent in the Kordian tradition. However, a historical overview of Rozewicz's work shows that the distinctive style does not signify a fundamental difference in illustrating the Polish September. Just as the memorable scene from Wajda's "Lotna" was in fact an expression of desperation and distress, the same emotions permeate the final scene of "Birth Certificate". These are not ideological concepts, though once described as such and fervently debated, but rather psychological creations. In this specific case, observes Witold Zalewski, it is not about manifesting knightly pride, but about a gesture of a simple man who does not agree to be enslaved.　　The novella "Drop of Blood" is, with Aleksander Ford's "Border Street", one of the first narrations of the fate of the Polish Jews during the Nazi occupation. The story about a girl literally looking for her place on earth has a dramatic dimension. Especially in the age of today's journalistic disputes, often manipulative, lacking in empathy and imbued with bad will, Rozewicz's story from the past shocks with its authenticity. The small herione of the story is the only one who survives a German raid on her family home. Physical survial does not, however, mean a return to normality. Her frightened departure from the rubbish dump that was her hideout lead her to a ruined apartment. Her walk around it is painful because still fresh signs of life are mixed with evidence of annihilation. Help is needed, but Mirka does not know anyone in the outside world. Her subsequent attempts express the state of the fugitive's spirits - from hope and faith, moving to doubt, a sense of oppression, and thickening fear, and finally to despair.　　At the same time, the Jewish girl's search for refuge resembles the state of Polish society. The appearance of Mirka results in confusion, and later, trouble. This was already signalled by Rozewicz in an exceptional scene from "Letter from the Camp" in which the boy's neighbour, seeing a fugitive Russian soldier, retreats immediately, admitting that "Now, people worry only about themselves." Such embarassing excuses mask fear. During the occupation, no one feels safe. Neither social status not the aegis of a charity organisation protects against repression. We see the potential guardians of Mirka passing her back and forth among themselves. These are friendly hands but they cannot offer strong support. The story takes place on that thin line between solidarity and heroism. Solidarity arises spontaneously, but only some are capable of heroism. Help for the girl does not always result from compassion; sometimes it is based on past relations and personal ties (a neighbour of the doctor takes in the fugitive for a few days because of past friendship). Rozewicz portrays all of this in a subtle way; even the smallest gesture has significance. Take, for example, the conversation with a stranger on the train: short, as if jotted down on the margin, but so full of tension. And earlier, a peculiar examination of Polishness: the "Holy Father" prayer forced on Mirka by the village boys to check that she is not a Jew. Would not rising to the challenge mean a death sentance?　　Viewed after many years, "Birth Certificate" discloses yet another quality that is not present in the works of the Polish School, but is prominent in later B-class war films. This is the picture of everyday life during the war and occupation outlined in the three novellas. It harmonises with the logic of speaking about "life after life". Small heroes of Rozewicz suddenly enter the reality of war, with no experience or scale with which to compare it. For them, the present is a natural extension of and at the same time a complete negation of the past. Consider the sleey small-town marketplace, through which armoured columns will shortly pass. Or meet the German motorcyclists, who look like aliens from outer space - a picture taken from an autopsy because this is how Stanislaw and Taduesz perceived the first Germans they ever met. Note the blurred silhouettes of people against a white wall who are being shot - at first they are shocking, but soon they will probably become a part of the grim landscape. In the city centre stands a prisoner camp on a sodden bog ("People perish likes flies; the bodies are transported during the night"); in the street the childern are running after a coal wagon to collect some precious pieces of fuel. There's a bustle around some food (a boy reproaches his younger brother's actions by singing: "The warrant officer's son is begging in front of the church? I'm going to tell mother!"); and the kitchen, which one evening becomes the proscenium of a real drama. And there are the symbols: a bar of chocolate forced upon a boy by a Wehrmacht soldier ("On the Road"); a pair of shoes belonging to Zbyszek's father which the boy spontaneously gives to a Russian fugitive; a priceless slice of bread, ground under the heel of a policeman in the guter ("Letters from the Camp"). As the director put it: "In every film, I communicate my own vision of the world and of the people. Only then the style follows, the defined way of experiencing things." In Birth Certificate, he adds, his approach was driven by the subject: "I attempted to create not only the texture of the document but also to add some poetic element. I know it is risky but as for the merger of documentation and poety, often hidden very deep, if only it manages to make its way onto the screen, it results in what can referred to as 'art'."　　After 1945, there were numerous films created in Europe that dealt with war and children, including "Somewhere in Europe" ("Valahol Europaban", 1947 by Geza Radvanyi), "Shoeshine" ("Sciescia", 1946 by Vittorio de Sica), and "Childhood of Ivan" ("Iwanowo dietstwo" by Andriej Tarkowski). Yet there were fewer than one would expect. Pursuing a subject so imbued with sentimentalism requires stylistic disipline and a special ability to manage child actors. The author of "Birth Certificate" mastered both - and it was not by chance. Stanislaw Rozewicz was always the beneficent spirit of the film milieu; he could unite people around a common goal. He emanated peace and sensitivity, which flowed to his co-workers and pupils. A film, being a group work, necessitates some form of empathy - tuning in with others.　　In a biographical documentary about Stanislaw Rozewicz entitled "Walking, Meeting" (1999 by Antoni Krauze), there is a beautiful scene when the director, after a few decades, meets Beata Barszczewska, who plays Mireczka in the novella "Drops of Blood". The woman falls into the arms of the elderly man. They are both moved. He wonders how many years have passed. She answers: "A few years. Not too many." And Rozewicz, with his characteristic smile says: "It is true. We spent this entire time together."

首页电影出生证明

播放列表

当前资源来源备用线路 - 在线播放,无需安装播放器

倒序

备用线路

HD中字

为你推荐

换一换

HD国语
册杀
2.0牛骏峰/尚语贤/白恩/王奎荣/胡耘豪/李光复/喻亢/马渝捷/徐筠/邓志浩/邬倩/曲戈/陈俊安/姜琦/时銘健/朱海军/
HD中字
阿勒泰之歌
5.0阿依波塔·杰恩斯/银珠·木拿里别克/海拉提·哈木/张大磊/张雅玫/达列力汗·哈德尔/阿来·阿依达尔汗/叶尔那尔·俄合拉斯别克/阿力木江·吐尔斯拜克/丽娜·夏侃/阿依江·赛力克/达布力·黑巴提/库力加孜拉·比亚地/
HD
德古拉2025(罗马尼亚)
2.0 阿多尼斯·坦察/Oana Maria Zaharia/加布里埃尔·斯帕休/Alexandra Harapu/Ana Dumitrascu/亚历山德鲁·达比加/Claudiu Dumitru/谢尔班·帕夫卢/Andrada Balea/伊林卡·马诺拉切/尼科丁·恩古里亚努/艾丽娜·塞尔班/Carina Lapusneanu/Marian Adochitei/Horea Avram/Alexandra Caras/Doru Catanescu/米海·科玛罗尤/Alexandru Georgescu/卡丽娜·齐/
HD
魔法坏女巫2
9.0 魔法坏女巫(下)/魔法坏女巫：第二章(港)/魔法坏女巫：第二部/Wicked: Deuxième Partie/Wicked: Part Two‎/
HD国语
毕业爱情路
3.0王成岳/陈诺/
HD国语
宋家镇怪谈
4.0文卓/李若希/丁晓/杨艺/
HD国语
意外的礼物
8.0彭恪/张宜涵/张宇柠/陈广文/斯力更/
HD国语
天机秘录
4.0王新乔/余芷慧/
HD国语
背后有人2025
9.0 Behind You/
HD国语
我的青春我的梦
5.0张淑琬/赵禹轩/张雯雯/

HD
背后有人
8.0郑文森/王子涵/邹超军/刘刚/万斯佳/
HD
天鹅中的狼
6.0 达里奥·格兰迪内蒂/David Atrakchi/玛佳丽达·维拉·诺瓦/
HD
阿尔玛与狼
3.0 伊桑·恩布里/李丽君/马瑟·泽科尔/Alexandra Doke/杰雷米·哈里斯/Beth Malone/达娜·米利肯/Kevin Allison/Lukas Jann/
HD
地震之后电影版
5.0冈田将生/鸣海唯/渡边大知/佐藤浩市/桥本爱/唐田英里佳/吹越满/黑崎煌代/堤真一/黑川想矢/井川遥/涩川清彦/津田宽治/锦户亮/能年玲奈/
HD
嘎啦
5.0瑪菲司/储榢逸/李恩佑/徐灏翔/
已完结
沈阳三八大案侦破纪实
2.0三八大案侦破纪实/3·8大案/
TC中字
我们埋葬死者
7.0 黛西·雷德利/布伦顿·思韦茨/马克·科尔斯·史密斯/马特·惠伦/Chloe Hurst/金姆·杰克逊/Dan Paris/Deanna Cooney/Nicola Bartlett/Kim Fleming/Kingsley Judd/Salme Geransar/Elijah Williams/Luke Jai/Megan Hollier/Steve McCall/大卫·佐纳/Matthew Parkin/Jimmy Duncan/Bruce Denny/
TC中字
开麦了吗？
1.0 威尔·阿奈特/布莱德利·库珀/塞伦·希德/劳拉·邓恩/艾米·塞德丽丝/西恩·海耶斯/克斯汀·埃伯索尔/斯万米·萨姆派奥/安德拉·戴/佩顿·曼宁/加布·法齐奥/迪伦·比克尔/乔丹·詹森/Scott Icenogle/汤姆·约翰逊/Chloe Radcliffe/德里克·盖恩斯/兰登·威尔森/Reggie Conquest/Seyler Fox/
HD中字|国语
攻克柏林
4.0 Mikheil Gelovani/Boris Andreyev/Marina Kovalyova/
HD中字
东京少女
4.0 Tokyo Girl/

已完结
摄影师贝尔蒂与猎豹零距离
3.0贝尔蒂·格雷戈里/
HD中字
影子学者
7.0未知
HD中字
岸边露伴一动不动忏悔室
9.0 岸邊露伴一動也不動/懺悔室(台)/Thus Spoke Kishibe Rohan: At a Confessional/At a Confessional/
HD
阿里
6.0 安德拉尼克·马奈/帕斯卡尔·雷内里克/Théo Delezenne/Ryad Ferrad/伊娃·拉利耶/Lomane de Dietrich/Mikael Don Giancarli/克莱芒丝·库隆/Fabio Caron/Audrey Bonnet/克莱尔·博德森/苏菲‧卡达尼/Alphonso Scavo/Immanuelle Shékina/Isaure Bony Agoua/Melvil de Waegenaire/Tom Menanteau/Alexandre Auvergne/Serena/
HD中字
美味馅饼：汉娜·斯文森悬疑小说
7.0艾莉森·斯威尼/维克多·韦伯斯特/芭芭拉·尼文/
HD中字
上帝的间谍
10.0 Bonhoeffer: Pastor. Spy. Assassin./ボンヘッファー/ヒトラーを暗殺しようとした牧師/close/
HD中字
如果有腿，我会踢你
1.0腿到用时方恨无/
HD中字
无形杀机
6.0隐匿之敌/
HD中字
异界信号
8.0 阿尔巴·吉莱拉/RitaKahn Chen/Jeff Hallman/
HD中字
战俘拳王
7.0 彼得·格洛瓦茨基/Jan Szydlowski/格热戈日·马莱基/马尔钦·博萨克/马尔桑·恰尼克/马雷克·卡斯普日克/皮特·维特科夫斯基/马里安·杰奇茨/拉法尔·扎维鲁查/卡米尔·谢普特茨基/Marianna Pawlisz/Zbigniew Paterak/Agata Mieniuk/Milosz Kwiecien/Martin Hugh Henley/卢卡斯·斯佐布利克/Marek Kossakowski/Grzegorz Artman/安杰伊·皮耶钦斯基/Ryszard Kluge/Konrad M/

换一换

出生证明 HD中字3.0
3.0
网友评分
很差
较差
还行
推荐
力荐
984次评分
给影片打分《出生证明》
很差
较差
还行
推荐
力荐
我也要给影片打分

影片信息

出生证明

播放列表

猜你喜欢

为你推荐

最新资讯

评论

电影排行榜

出生证明 HD中字3.03.0网友评分很差较差还行推荐力荐984次评分给影片打分《出生证明》很差较差还行推荐力荐我也要给影片打分

影片信息

出生证明

播放列表

猜你喜欢

为你推荐

最新资讯

评论

电影排行榜

出生证明 HD中字3.0
3.0
网友评分
很差
较差
还行
推荐
力荐
984次评分
给影片打分《出生证明》
很差
较差
还行
推荐
力荐
我也要给影片打分